The pathology of the characters in the movie rear window directed by alfred hitchcock

Did you find something inaccurate, misleading, abusive, or otherwise problematic in this essay example? Lisa makes her first dramatic appearance whilst Jeff is asleep.

The pathology of the characters in the movie rear window directed by alfred hitchcock

Frames within Frames: The Pleasure in Looking Significance of Distance and Closeness between Characters Symbolism in Gestures, Clothes and Props Visual Relations between Women Works cited Introduction Alfred Hitchcock used non-verbal communication extensively in his filmmaking to convey meaning and to create suspension for the audience.

Set designers Hal Pereira and Joseph MacMillan Johnson spent six weeks building the extremely detailed and complex set, which ended up being the largest of its kind at Paramount. His role as the prying observer turns those whom he watches into objects.

Rear window cast

The director used primarily "diegetic" sounds—sounds arising from the normal life of the characters—throughout the film. Theatrical and cinematic effects dominate in his work with the use of proxemics, stance and gestures of actors. As a photographer, he has to compose images for a living. What makes you cringe? Every time those lights go down, every time new characters are introduced, and every time a frame does by; the collective audience is being drawn deeper into another world. One of the unique features of the set was its massive drainage system, constructed to accommodate the rain sequence in the film. However, these categories are never static. What hooks you? Lisa makes her first dramatic appearance whilst Jeff is asleep. Hitchcock uses clever things from the way the apartments are being filmed to the dialogue between Jeffries, Lisa, and Stella to show societies interest in pain, tragedy, and discomfort, and in the end you see how tragedy is what makes everyone happy.

The activity of watching people is a relief for his boredom, but it also constitutes a position of power for him in which visual omnipotence becomes the substitute for his physical and emotional deficiencies.

Bored by immobility and equipped with an arsenal of binoculars and telephoto SLR lenses within reach, Jeff amuses himself by spying on his neighbors across the courtyard, from his rear window.

And what if the menacing Lars discovers he's been watched? The directing of the gaze is both an exercise of power and an imposition on those whom it captures.

rear window ending

The critics' consensus states that "Hitchcock exerted full potential of suspense in this masterpiece.

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Rear Window Movie Review